The Visionary Art of C.G Jung

Research output: Contribution to journalArticlepeer-review

Abstract

This article considers how visionary art expresses itself within paintings and pictorial configurations by using Neumann's work to expand on Jung's notion of the 'visionary mode of creativity.' The first part is a comparative study of Neumann's 'four stages of psychological development' discussed in 'The Origins and History of Consciousness' (1949) and his 'four stages of art in relation to its epoch' discussed in his essay 'Art and Time' (1959). This comparison aims to establish a selection of categories that considers the role of art on the micro-level (the individual) and the macro-level (society). Additionally, it is suggested that these four categories offer an interesting framework for identifying and understanding visionary artworks. Subsequently, the second part uses Neumann's framework to examine a selection of paintings from 'Liber Novus' (2009).

Original languageEnglish
Pages (from-to)157-186
Number of pages30
JournalInternational Journal of Jungian Studies
Volume15
Issue number2
DOIs
Publication statusPublished - 2022

Keywords

  • art criticism
  • creative unconscious
  • Erich Neumann
  • individuation
  • the visionary mode of creativity
  • visionary art

Fingerprint

Dive into the research topics of 'The Visionary Art of C.G Jung'. Together they form a unique fingerprint.

Cite this